Stop-Motion Installation, 2010
Exhibited at the Arts Centre in Black Box Theatre as part of Experimenta Utopia Now. Created in collaboration with Van Sowerwine. Check out the You Were In My Dream site to see where it will be exhibited next. Also you can play with a small part of it online.
5'30", 2009,
Sound by Finn Robertson.
Commissioned by Next Wave Time Lapse project for the outdoor screen at Federation Square, 2009.
Qua vs Glactic Jungle
In June, 2009 I collaborated with Gus Kemp to make a visual installation / performace at ACMI to accompany a live set from QUA. Some of the visuals were animations on screens but we also had 5 overhead projectors with different manually operated moving images, sculptures with mirrors that threw light all over the room and a giant dancing shadow puppet hooked up to the drummer.
3'54", 2008
Music by James Cecil. Made for Next Wave Festival nightclub project. The initial sequence was inspired by a dream I had while babysitting a cat.
10" loop, 2007
Animation for a flipbook curated by Tape Projects.
7'00", 2004
Short Film written and directed by Van Sowerwine, animated by Isobel Knowles, Produced by Flim Camp.
Special Mention at 2005 Cannes Film Festival, Golden Hugo for best animation at 2005 Chicago Film Festival, Official Selection at Sundance Film Festival, 2006
4'37" loop, 2005
Animated installation, West Space Gallery. Sound by Nick Munnings. The birds were projected on the ceiling and there was a park bench underneath for viewers. A few autumn leaves scattered around the floor completed the sensation of being in the park on an autumn afternoon watching birds do weird stuff in the sky.
5'22", 2003
Interactive animation in collaboration with Van Sowerwine and industrial design by Liam Fennesssey. An Experimenta New Visions Commission created for House of Tomorrow.
4'30", 2002
Music by Jeremy Dower. Created for an event called Codec Cinema where visual artists and musicians/ sound artists were asked to collaborate and present performances.
2'02", 2001
Collaboration with Madeleine Griffith. We went out and filmed strangers eating in public places then studied the mechanics of eating through rotoscoping. One second of each person's day became weeks of our lives.
2'31", 2001
A short film where I wrote some film soundtrack inspired music then pretended it was from a film and just animated the section of the film where the music might occur. No beginning, no end, just one random scene from an imaginary film.